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Bracket Clocks
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A fine quality late 19th century English/French mahogany Regency style waisted shape bracket clock, the English elegant shaped mahogany Regency case of good original colour sitting on four polished brass ogee type feet, the French 8-day signed and numbered movement with hour and half hour striking on a gong, the white convex enamel dial with black Roman numerals and blued spade type hands, circa 1880-90 16” x 8” x 5”
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Georgian Verge Bracket Clock by Richard Laurence of Bath. A well patinated fruitwood case with breakarch locking doors at front and back, the front with gilt spandrels glazed beside the arch. The clock sides have inspection glasses with rounded top lights. The inverted bell top has a patinated brass carrying handle and there are pineapple corner finials. The clock is 18.5” high, 11.5” wide, 7” deep. The silvered breakarch dial has Roman hour and Arabic five minute numerals, the dial centre is extravagantly engraved Richard Laurence – Bath. There are blue steel serpentine hands and there is a strike/silent dial in the arch.The eight day double fusee movement has crown wheel and verge escapement and rack strike with repeat facility. The plates have five turned pillars and the backplate has an intriguing engraving of a lady with an ostentatious hat standing on a stone bridge with surrounding floral and entre–lac decoration*. Richard Laurence was born in Warminster in 1729 & died in 1773. He had a flourishing clock and watch making business in Bath and was also part of the lively social scene of those times. He became a Sheriff in 1770. *There is speculation that the backplate engraving was linked to a scandalous affair. Height 22cms. Width 29cms. Depth 19cms.
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George III bracket clock by Handley & Moore. A very fine mahogany case of Lancet shape with a delicately patterned brass overlay on the front and a brass band round the base. The locking brass bezel is fitted with convex glass. The sides have brass lancet shaped sound grilles with silk backing and the carrying handles are brass lions masque design. The glazed and locking back door is also of lancet shape. The clock stands on ball feet of solid brass. The 6.5” convex painted dial has Roman numerals and polished brass spade hands. The 8 day double fusee movement has lancet shape plates and five turned pillars, the back plate has an engraved border and features a strike (S) no strike (N) lever. the front plate has the Handley and Moore logo with crown. The movement has an anchor escapement and rack strike with star wheel sounding the hours on a gentle bell. The pendulum bob also has an engraved border and there is a pendulum holdfast device. Handley & Moore were highly respected makers who worked in London 1802 – 1824. Height 40cms. Width 24 cms. Depth 15cms.
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Quarter repeating bracket clock by William Garfoot, Middle Temple, London. A rare 17th century clock from the heart of the Inns of Court. The ebonised case has locking front and back doors and side windows with a cushion top and gilt brass Eagle & Dolphin carrying handle. The cushion top has silk backed pierced repousse gilt decorative sound frets depicting animals and birds hidden in foliage. There are four gilt brass corner finials and a repousse escutcheon on the door. The clock stands on four cast gilt brass claw feet. There is a silk repeat pull cord. The 7” gilt dial has a silvered chapter ring with Roman hours, the inner ring with quarter and half hour gradations. The outer minute ring has 5 minute Arabic markings. The ring is signed Wm. Garfoot, Midel Temple. The dial centre ia finely matted and there are beautifully cast Angel corner spandrels. The blue steel hands are finely fretted and pierced. The single fusee movement has verge escapement and the pull wind repeat mechanism sounds the quarters on two bells and the hours on a single bell. There are five turned, ringed and latched pillars and the back plate and the verge cock are finely engraved with a tulip design. The movement has fixing screws under and the dial has half disc retainers. William Garfoot worked in the Middle Temple and no doubt supplied the Barristers with their clocks and watches. He was working prior to 1678 and was Free of the Clockmakers Company 1680-1701. He was also noted as a maker of verge watches.
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A William IV flame mahogany English three train 8-bell gothic bracket antique clock by Cross, London, the 9-inch painted dial signed Cross, London, with subsidiary dials in the gothic arch for regulation and chime/silent, the three train fusee movement with five knopped pillars, with bell striking, anchor escapement and chiming the quarters on eight bells, unusual shouldered footed plates, flower engraving to the backplate, the gothic arch case with leaf bud finials and gadrooned cresting, flanked by cluster columns and raised on gadrooned feet, Circa 1830.29-Inches high
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An antique Regency brass inlaid mahogany two train quarter chiming bracket clock by Frodsham, London, the 8-inch dial signed Frodsham, Gracechurch St. London with strike/silent dial in the ogee shaped arch, similarly signed two train fusee movement with shouldered footed plates, five knopped pillars, anchor escapement, chiming the quarters on eight bells and the hour on a further bell by means of a pumped cylinder, the case with concave sided cresting above a carved cornice, the door , the angled front corner and the base inlaid with brass scrolls and flowerheads, the sides with repoussé brass handles above scale frets, gadrooned bun feet, circa 1840. 24-inches high
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A small size late 19th century quarter chiming bracket antique clock signed on the backplate John Durden, London, the ebonised wood case with gilt brass oriental pagoda surmount with relief floral decoration, similarly decorated applied mounts to the front door and side apertures on ball and claw feet, the 5 inch arched brass dial with matted centre and with strike/silent and Whittington / Westminster 8 or 4 bell subsidiaries, Roman and Arabic silvered chapter ring and pierced blued steel hands to the triple fusee movement with quarter striking for Whittington on a nest of 8 bells or Westminster chimes on 4-bells and a gong for the hours, anchor escapement and brass bobbed pendulum with stirrup regulation, circa 1870. 17” x 9” x 6½ “
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An English early Victorian flame mahogany twin fusee Gothic antique bracket clock by Alexander Cumming, London, Number 874, the mahogany gothic case of good colour surmounted by two pineapple finials, the sides to the case with Lancet shaped brass sound frets and ringed carrying handles, the 5-pillar twin gut fusee movement with strike/silent, pull repeat and hour rack striking on a gong, the white painted dial with black Roman numerals and strike silent in the break-arch, circa 1840, listed maker 20” x 11 ½ “ x 7”
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A very good condition English flame mahogany Regency 8-day Balloon bracket antique clock by Thwaites, London, the flame mahogany balloon shaped case with boxwood stringing sitting on 4 polished and lacquered brass ogee style feet, the front signed English 5-bun-pillar border engraved twin gut fusee movement with Strike/Silent and Pull-Repeat, chiming the hours on a bell, the original white painted dial with black Roman numerals signed Thwaites with Strike/Silent lever above the 12-numeral, the polished and lacquered brass bezel containing a convex glass, the blued steel harpoon type hands circa 1810 17 ½” x 10 ½” x 7”
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A fine quality English ebonised and gilt bronze mounted numbered Bracket antique clock and original bracket by “Charles Pace” , London, numbered (484),the gilt bronze mounted ebonised regency style case with very finely hand worked gilt bronze mounts with a curved inset brass panel to bottom of case, the fine signed 8-day twin chain fusee 5-pillar movement numbered 484 and signed “Charles Pace” , London with strike/silent and hour striking on a large gong contained across the back of the case, the 8” engraved round brass silvered dial with black Roman numerals and strike/silent in the top, circa 1850 Clock 18” x 14” x 8”  Bracket 11” x 16” x 9”
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A fine mahogany bracket antique timepiece with brass and ebonised inlays to the front panels and carrying handles and silk backed brass fishscale arched frets on the sides, the clock stands on brass ball feet. The 15cm convex painted dial has roman numerals and is signed Solomon, Lewes with blue steel moon hands. The 8 day single fusee movement has anchor escapement and pendulum with top rating nut. Height 35cms. width 23cms. Depth 16cms.

A very impressive English Whittington/ Westminster chime ebonised and gilt bronze mounted substantial 3-train 8-bell bracket antique clock, the George III style ebonised case heavily decorated with well cast gilt bronze caryatids to the corners, pierced gilt bronze side frets with mermaids surmounted by 5-flaming finials sitting on four heavily well cast toupee feet also with side carrying handles, the substantial English three train movement chiming the quarter hours for Westminster chime on 4- bells or Whittington on 8-bells with hour strike on a large gong, the one-piece silvered dial with three subsidiaries for hour strike/silent, tune selection ( 8 / 4 bells) and tune strike/silent, circa 1880-90 27” x 16” x 9”
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An English Cuban mahogany late Victorian 8-day chain fusee timepiece bracket antique clock by Brockbank and Atkins, London, No 12471, the rectangular mahogany case carved with flowers to the lower front plinth with a break arch top similar carved with a sunburst design surmounted by four wooden finials, the signed and numbered high quality chain fusee timepiece 5-pillar movement with anchor escapement and pendulum hold fast, the signed white convex dial with black Roman numerals, the blued spade type hands, circa 1890-1900, very good overall condition with original paper on inside back door for dates having been oiled.  14” x 9” x 5 ½ “
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An extremely large English Cuban mahogany 6-pillar triple chain fusse late Victorian quarter striking on 9-tubes bracket antique clock by W & H with moon roller, the very large size impressive carved mahogany case with chamfered sides to the front, the bell top design carved in the form of swags and roses with two large wooden red silk covered side sound fret panels opening as side doors, the massive W & H three train chain fusee movement striking the Westminster or Whittington on 4 or 8 tubes every quarter hour with hour strike on a further full length side mounted tube, the 13” x 19” – inch engraved silver dial with slow/fast adjuster, Westminster/ Whittington tune selector and Strike/silent surmounted by a painted moon roller in the break arch, Circa 1890-1900, the biggest bracket clock we have ever seen which sounds like Big Ben on striking
32” x 20” x 14”
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A fine quality late 19th century English/French mahogany Regency style Lancet shaped bracket antique clock with box-wood stringing and fan inlay, the English Lancet shaped mahogany Regency case of good original colour sitting on four polished brass ball type feet, the French 8-day signed and numbered movement with hour and half hour striking on a gong, the white convex enamel dial with black Arabic numerals and blued spade type hands, circa 1880-90 12" x 8" x 5"
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An exceptionally fine quality original large size English Regency Flame mahogany arch shaped 8-day Triple fusee quarter striking on 8-bells Triple pad top bracket antique clock by Twaites and Reed, Clerkenwell, London, the English well patinated flame mahogany triple pad arch topped Regency case with fretted scrolling gilt brass inset panels to the top and bottom flame mahogany front with brass canted corners surmounted by a well patinated cast carrying handle, brass fish scale side sound frets covered in green satin, the substantial signed English triple chain fusee 6-pillar movement by Thwaites & Reed, Clerkenwell, London with quarter striking Westminster chime on 8-bells, dead-beat escapement and hour chime on a large back mounted bell, the original 10-inch convex signed white painted dial with black Roman numerals, circa 1850-60 24" x 15" x 9"
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A mahogany English Eureka electric mantle antique clock, the fine quality English made arched mahogany case with boxwood stringing of good original colour with opening bottom door still retaining its locking catch, the 4.5inch original vitreous enamel dial signed Eureka Clock Company. Ltd, London '1000 Day Electric Clock', the movement with massive two ball type balance and inscribed Patent No. 14614, 1906 No 2656, circa 1910 12" x 9" x 5"
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A very pretty English/French small sized Victorian Balloon shaped satinwood antique clock, the satinwood case with boxwood and ebony inlay to the front, cream decorated sides and top section surmounted to the by a polished brass finial, the convex white enamel dial with black Arabic numerals, the French signed 8-day timepiece movement with Swiss platform escapement and brass push fitting back door, circa 1890-1900 12" x 5" x 4"
 
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A very attractive French/English mahogany and boxwood, olivewood inlayed turn of the century art Noveaux 8-day timepiece antique clock, the English solid mahogany heart shaped case of good colour inlayed with ribbons, draping foliage and a shield in boxwood and olivewood, the French 8-day signed and numbered movement with top mounted English lever platform escapement, the white convex dial with black Roman numerals and pierced blued moon hands, circa 1900 10.5" x 6" x 4"
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A fine quality 8-day English Victorian mahogany and ormolu mounted triple chain fusee 4-gong Westminster chime bracket antique clock, the high quality mahogany and gilt ormolu mounted chamfered topped case with fluted gilt Corinthian columns and capitals surmounted by five ormolu pineapple finials with well hand chased beautiful pierced ormolu side sound frets resting on mahogany and ormolu large bun feet, the English substantial triple chain fusee movement chiming the quarters on 4-gongs for Westminster chime with hour strike on a large gong, the brass dial with silvered chapter ring, matted centre and two subsidiary dials for slow/fast regulation and strike/silent , circa 1880 27" x 25" x 9"
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