Longcase Clocks
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All clocks sold with a 2 year guarantee

A very fine quality 1720’s English 18th century George II burr walnut longcase clock by Langley Bradley, London, 1687-1726 (Great friend to Sir Christopher Wren, apprentice Joseph Wise), the well proportioned burr walnut case of good colour, the burr walnut rectangular long type trunk door with cross and feather banding, the caddy type hood with fret work to the front surmounted by three gilt wood onion finials, the hood with full length hood columns and gilt wood capitals, the 8-day weight driven 5-pillar movement with count-wheel striking, the 12-inch square brass dial with a matted centre and ringed winding holes, cherub and sceptre spandrels, subsidiary seconds, date box window with engraved scroll work, circa 1720 103” x 20” x 9 ½ “
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An English George III late 18th century Flame mahogany 3-train 8-bell London longcase clock with Strike/Silent by Edward James, London, the signed 12-inch break-arch silvered brass dial with a date–box window, subsidiary seconds dial and strike/silent, the 8-day 5-pillar movement with hour [rack] striking on a bell and strike/silent, the quarters are sounded for whittington on 8-bells, the original brass covered pendulum and 3 weights, the fine quality figured mahogany case with brass capitals and reeded hood columns inset with brass reeding, the fine quality case with a long trunk door and a break-arch type hood of good patination, circa 1780 85” x 19” x 9”
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An English George III late 18th century Flame mahogany London longcase clock with Strike/Silent by William Carter, London, the 12-inch break-arch brass dial with a matted centre, cherub head and dolphin spandrels, date window, subsidiary seconds dial and strike/silent, the 8-day 5-pillar movement with hour [rack] striking on a bell and strike/silent, the original brass covered pendulum, the fine quality figured mahogany case with brass capitals and reeded hood columns inset with brass reeding, the fine quality case with a long trunk door and a break-arch type hood of good patination, circa 1780 85” x 19” x 9”
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A very fine quality 1720’s English 18th century George II burr walnut and silver mounted longcase clock by Esaye Fleureau, London, the well proportioned burr walnut case with a long trunk door bordered with cross and feather banding, the break-arch type hood with fret work to the front top surmounted by three silvered gilt wood finials, the hood with full length hood columns, long side windows and silver capitals, the 8-day weight driven 5-pillar movement with rack striking, the signed 12 inch brass dial with a matted centre, ringed winding holes, cherub and dolphin type spandrels, subsidiary seconds, date box window with a strike/silent in the break arch, circa 1720. Another example of this maker is in the Wetherfield Collection of Clocks 91” x 18” x 9 “
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A very fine quality 1760’s English 18th century George II burr walnut longcase clock by William Webster, Exchange Alley, London, the well proportioned burr walnut case of good colour, the long type trunk door bordering with walnut banding, the caddy type hood with full length hood columns and polished brass capitals, the 8-day weight driven 5-pillar movement with rack striking, the 12 inch brass dial with a matted centre, cherub and dolphin type spandrels, subsidiary seconds, date box window and silvered name plate, circa 1760, this clock has been in the same family for many years. 91” x 20” x 9 ½ “ 
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 An English flame mahogany three train 8-bell quarter striking Regency longcase clock by Gravel, London, the elegant flame mahogany case with reeded quarter columns to the sides capped by Corinthian capitals, the hood surmounted by a pagoda top with three ball and spire finials, the three-train quarter striking movement chiming on 8-bells with strike/silent, the signed brass dial with silvered chapter ring, subsidiary seconds and date and rococo spandrels, circa 1820 96” x 19” x 9”
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A substantial English flame mahogany and regency inlayed three train 8-bell quarter striking Victorian moon-roller longcase clock by Pattison, Halifax, the elegant flame mahogany case with boxwood inlayed full columns to the sides capped by Corinthian capitals, the hood surmounted by a swan-neck top with three ball and spire finials, the three-train quarter striking movement chiming on 8-bells with strike/silent, the signed brass dial with silvered chapter ring, subsidiary seconds and date, moon-roller and rococo spandrels, circa 1880 101” x 23” x 10”
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A very fine quality 1720’s English 18th century George II burr walnut longcase clock by William Barrow, London, the well proportioned burr walnut case of good colour, the burr walnut long type trunk door with bordering walnut banding, the caddy type hood with fret work to the front surmounted by three gilt wood finials, the hood with full length hood columns and polished brass capitals, the 8-day weight driven 4-pillar movement with rack striking, the 12 inch brass dial with matted centre engraved with birds, cherub and dolphin type spandrels, subsidiary seconds, date box window and convex silvered name plate in the break arch, circa 1720, this clock has been in the same family until now and this maker has three longcase clocks in the national museum of Stockholm.
103” x 20” x 9 ½ “
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An exceptional early 20th century English exhibition quality carved mahogany quarter chiming moon-roller longcase antique clock (Regulator), the hood surmounted by an elaborate shaped cresting over canted front corners applied with pierced scrolls, the sides with large shaped wooden sound frets, over a glazed trunk door and a carved base depicting a gargoyle, the satin gilt foliate engraved brass dial with serpentine edges measuring up to 15 inches by 18 inches with satin gilt applied Arabic numerals on a silvered chapter ring, the centre with subsidiary seconds, the upper section set with two subsidiaries and a side slider for Strike/Silent, Chime/Silent and Whittington / Westminster, the substantial English movement with maintaining power to a deadbeat escapement striking the hours and chiming the quarters via nine silvered gong tubes, the large satin gilt mercury jam-jar pendulum with a fine adjuster, Circa 1907.113” x 27” x 17”
2.87m (9ft 5in) high.
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An English late 19th century Victorian substantially well made and fine quality small size solid mahogany 8-tube quarter-chiming eight day longcase clock by Sir John Bennett Ltd, 65 Cheapside London, the brass dial with a signature plaque to matted centre and subsidiary seconds, the break-arch to the dial with two silvered subsidiary rings for chime / silent and Whittington / Westminster chime selection, the substantial three train quarter striking movement with dead beat escapement, maintaining power and hour strike on a gong, the quarter chimes are on eight tubular nickelled gongs all signed GB, circa 1900, original winding crank key and door keys. 83” x 17” x 12”
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A turn of the 18th century English oak cased 8 day break arch painted dial longcase clock by WC Clark of Morepeth, the elegant case with readed canted columns and pierced fretwork swan neck hood with ball and spire finials, the painted dial with a scene of bird in break arch and painted flowers to the spandrels, blued steel hands, subsidiary seconds and date ring, circa 1790-1800. 89” x 20” 10”
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A very fine quality Scottish Regency flame mahogany Drum Head 8-day longcase clock by Lynn, Parsonstown, the finely figured tapering rectangular elegant regency solid mahogany case with flame mahogany to the bowed trunk door, the drum shape hood with diamond side silk covered sound panels surmounted by a carved mahogany scroll shaped cresting, the signed 13 –inch round white painted dial with black Roman numerals and subsidiary seconds, the 8-day Scottish 4-pillar movement striking the hours on a large bell, the engraved brass crescent type hands, circa 1800-1810 88” x 19” x 9”
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A very unusual lyre shaped flame mahogany Scottish regency longcase clock by Sheddon, Perth, the trunk case with waisted shaped sides, scroll mouldings and Regency fans to the base, the hood with full length round columns and scroll mouldings to the front, surmounted by a pagoda top with a ball, the fine quality Scottish 8-day weight driven movement with hour striking on a bell, the 12-inch white painted dial with black Roman numerals subsidiary date and seconds ring, signed Sheddon, Perth, circa 1810-20, original weights and painted pendulum 88” x 20” x 9”
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A mid 18th century Dutch walnut and marquetry moonroller longcase clock by J: Vervroeg.en, A: Anvers, the slender walnut marquetry case with canted corners, shaped front lentical door and Bombay base sitting on bun feet, the whole case covered with marquetry in the form of birds, tulips and foliage, the inverted bell top hood with fretwork sound frets and carved central cresting, the mid 18th century signed 8-day weight driven moonroller movement with Dutch quarter striking on two bells, the 13 ½ inch brass dial with silvered chapter ring, subsidiary seconds, date window and moonroller in the break-arch, circa 1750 98” x 19” x 10”
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A very rare and unusual English George III oak and mahogany 8-day longcase clock by John Warner Campden, the fine quality oak and mahogany case with original base, feet and pagoda top, the oak and mahogany long rectangular shaped trunk door with its original door lock, the hood with full round hood columns capped by polished brass capitals to top and bottom, the original pagoda type hood flanked by two beautiful polished cast brass urn shaped finials, the mid to late 18th century 8-day 4-pillar weight driven movement with rack striking and anchor escapement, the 10-inch brass dial with silvered chapter ring and finely cast spandrels to the corners signed John Warner Campden with foliate engraving to the polished centre, the lovely blued steel hands of early design, circa 1780, this clock has lovely elegant proportions 89" x 18" x 9"
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An impressive flame mahogany 8-day weight driven Scottish chiming longcase clock by "James Gardener", Perth (Scotland), the finely figured mahogany case with a lancet shaped front door and arched topped hood with two eagle finials sitting on ogee feet, the 14"-breakarch painted dial with figures of the empire to the spandrels and a picture of the lady of the lake and her lover in the breakarch, subsidary seconds and date aperture, circa 1830 88" x 21" x 9"
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